Our Image is Our Message: As Told by Black Women Artists
"Our Image Is Our Message: As Told by Black Women Artists"
September 23 - 28, 2019
As this year’s March on Washington Film Festival celebrates contributions of black women to the Civil Rights Movement—this exhibition of legacy and contemporary black women artists explores the stories, and perspectives of black women, as told through art. As this group show highlights a range of narrative, and figurative works that delve into the lived experiences, observations, and aspirations of black women artists through time. With works in the show spanning a period of 40 years, this exhibit is intended to give the viewer a glimpse into how black women artists have grappled with questions of history, social ills, and their individual strivings. Featuring works from legacy artists Elizabeth Catlett, Ruth Inge Hardison and Dr. Samella Lewis, in conversation with contemporary women artists Joyce Owens, Lavett Ballard, Evita Tezeno, Lynn Marshall-Linnemeier, Phyllis Stephens among others — bearing witness to these artists varied approaches to self articulation, and social concerns.
LOCATION: Jack Morton Auditorium and Art Gallery Lobby at The George Washington University - 805 21st Street NW - Washington, D.C. 20052
ART EXHIBITION HOURS:
Tuesday, Sept. 24th thru Friday, Sept. 27th 1:00 to 10:00 PM (EST) and Saturday, Sept. 28th 1:00 to 7:00 PM (EST)
CONTACT PHONE: 870-200-9816
Faron Manuel is an independent curator, and art writer based in Atlanta, Georgia. Since 2016 Faron has also been the coordinator of the Mellon Undergraduate Curatorial Fellowship, and the Mellon Graduate Fellowship in Object-Centered Curatorial Research at the High Museum of Art. Prior to joining the High Museum, he was the Special Projects Curatorial Assistant to the Director of the Clark Atlanta University Art Museum. While at the CAU Art Museum, he curated his first exhibition, Négritude (2015)—that explored a French literary and philosophical movement within the African diaspora through art, before receiving his B.A. in History from Clark Atlanta University in 2015. He later served as the Assistant Editor at Black Art In America from 2015-2016, where he regularly interviewed collectors, and reported widely on contemporary art.