• SHOP BAIA ONLINE ™     a division of Black Art In America™
  • Cart: 0


        Live with the art you love ...

Dorsey, Najee, (Field Worker)



Dorsey, Najee, (Field Worker)
(enter your offer or inquiry in the text box below)

Please check this box if you are a human and not a spam robot.
Please check this box if you are not human and are a spam robot.

So, with this Simple Jquery Modal Window, it can be in any shapes you want! Simple and Easy to modify : )

If you're interested in this work, please email us at: orders@baiaonline.com or call us at: 1.870.200.9816

Please be advised that due to market fluctuations, prices may change without notice.

"Field worker" by Najee Dorsey

7 x 6" linoleum cut, unframed (2007)

Najee Dorsey's comptemporary work a highlight of Rittenhouse Square Fine Art Show 2012

Visitors to this year's Rittenhouse Square Fine Art Show might be surprised to find, among the landscape paintings and clay sculptures, scenes from the Occupy movement. The work belongs to Najee Dorsey, a self-described "documentarian of history and culture." 

Dorsey is one of 143 artists appearing in this year's show. An annual tradition since 1932, it's the nation's oldest outdoor art show. 

Dorsey's work makes the show feel as fresh as ever. The artist feels it's his duty to engage the community in discussion and reflection on political and social issues. Dorsey uses figurative mixed-media paintings to respond to the ongoing socioeconomic struggles of African-Americans in relation to America's past, specifically the civil-rights movement. 

In his latest series, "Resistance," Dorsey simultaneously honors the unsung heroes who faced injustice in the past and the rising voices of the recent Occupy movement. Artistic portraits feature individuals including Haitian freedom fighter Toussaint L'Ouverture Renditions and Claudette Colvin, known for resisting bus segregation before the better-known Rosa Parks incident. 

To create the intensely colorful mixed-media paintings, Dorsey starts by creating a digital collage of found imagery. He builds on this base with layers of ripped paper, paint and found objects to give each vignette the illusion of depth. The signage, license plates, bottle caps, dominoes and plastic bags used in the work make history feel tangible. The result is vivid, dynamic, and resonant of the cultural character of the South, where Dorsey draws much of his inspiration. 

Dorsey is a self-taught artist from Arkansas. His roots have infused his work with a sense of identity and personal meaning. In the past several years, Dorsey has been featured at the Charles H. Wright Museum in Detroit, the African American Museum in Dallas and the Marietta Museum of Art in Florida.

In addition to a well-established fine-arts career, Dorsey founded Black Art in America, a leading virtual network and resource for the black visual-arts community. BAIA provides commentary, news, gallery roundups, collector information and artist profiles. With more than a quarter-million visitors to the BAIA website each year, Dorsey's vision to create more exposure for artists of color is being realized. 

June 01, 2012 | BY Alyssa Stein and For the Philadelphia Daily News


Related Works: